The titular letter drives the narrative and we see all the characters and events through Lisa’s filtered lens. When he leaves unexpectedly on a concert tour, he promises to return to her in two weeks.
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She catches Stefan’s eye by chance on the street, he wines and dines her, flatters her to a fare-thee-well, and after the inevitable night of passion, assures her their fateful union will last. She never makes her presence known and he never notices her, but the glamorous women who enter his apartment after lavish evenings on the town make a huge impression on her, and Lisa longs to be one of them. A quiet, shy girl, she hides in doorways and alcoves to watch Stefan enter and leave his flat, and spends hours beneath his window listening to him practice. With disarming honesty, Lisa describes her instant attraction to Stefan, which quickly evolves into full-blown obsession. It begins, "By the time you read this, I may be dead." The author of the letter, Lisa Berndle (Joan Fontaine), then recounts through flashback the first time she saw the dashing Stefan when she was a grubby teenager and he was a rising young pianist rapidly gaining renown. The dishonorable cad then smugly settles down with some cognac and begins reading a letter that arrived that very day from a woman he doesn't quite remember. In turn-of-the-century Vienna, weary sophisticate Stefan Brand (Louis Jourdan) returns to his modest flat late one evening to inform his loyal valet he's been challenged to a duel.and plans to avoid the confrontation by skipping town before dawn.
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Director Max Ophüls (billed here as Opuls) concentrates at least as much on atmosphere as he does on the narrative, crafting a beautifully appointed, lyrical picture that brims with both artistry and emotion, yet lacks the syrupy tone, tired clichés, and hysterical histrionics that often derail this type of film.
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Its initial lack of appeal may have stemmed from its understated presentation, ethereal nature, and European flavor - elements that make the movie more accessible today. Letter from an Unknown Woman wasn’t particularly successful at the time of its release, but has grown in stature over the years and stands as one of the period's better romantic dramas. (It’s practically impossible to sit through Stella Dallas, Dark Victory, or Now, Voyager without reaching for the Kleenex box at least once.) Though often unfairly derided for their shameless manipulations, these movies remain popular because they tap into core emotions both women and men (if they’re man enough to admit it) can relate to.
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Sometimes the endings are happy, sometimes sad, but they almost always induce a raging torrent of cathartic tears. These emotional melodramas often portray their heroines as resilient victims who willingly weather poverty, hard knocks, bad decisions, unwanted pregnancies, and social disgrace all in the name of unrequited love. So-called “women’s pictures” raked in plenty of box office dough during the 1930s and 1940s, and surely bolstered the tissue industry as well. Levitt, Chinatown ), Max Ophüls' Letter from an Unknown Woman, based on Stefan Zweig's novella of the same name, is written for the screen by Howard Koch ( Casablanca ) and produced by John Houseman ( They Live by Night ).
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Gaussman, The Strange Affair of Uncle Harry and Ruby R. But this time, Stefan's cavalier behavior will have tragic repercussions.įeaturing the master filmmaker's trademark gliding camera, baroque imagery and lush atmospherics (courtesy of cinematographer Franz Planer, The Big Country art director Alexander Golitzen, Phantom of the Opera set decorators Russell A. Moved by its contents, he'll come to realize that the author is not a stranger, but Lisa Berndle (Joan Fontaine, Rebecca ), a woman he's known since her youth and discarded as he has so many others before her. In Vienna during the early 20th century, Stefan Brand (Louis Jourdan, Gigi ), a concert pianist whose amorous ways have eclipsed his musical talent, is preparing to flee the city on the eve of a duel to be fought over a recent dalliance when he receives a Letter from an Unknown Woman. From Max Ophüls, the legendary director of such film classics as The Earrings of Madame de… and Lola Montès, comes a timeless tale of love and obsession.